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The medium is ink, opaque watercolor, and gold on paper. It depicts contemporary nobles as the lovers Radha and Krishna. It measures 7 1/2 x 4 3/8 in. (19.1 x 11.1 cm). The verso depicts an image of Krishna playing the bansuri. This image is later and probably by a different artist, dating to between approximately 1750 and 1775.
The purpose of pichhwais, other than artistic appeal, is to narrate tales of Krishna to the illiterate. Temples have sets with different images, which are changed according to the calendar of festivals celebrating the deity. [4] Nathdwara painting covers these and similar works in other genres, especially Indian miniature paintings.
There are typical scenes and figures like Krishna, Gopis, elephants, trees and other creatures are seen in these paintings. Krishna is always painted in blue and Gopis in light pink, purple or brown colours. [24] The painters use vegetable and mineral colours without going for factory-made poster colours. They prepare their own colours. [25]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer .
The painting is the example of pahari painting used in Gardner's Art Through the Ages, which states: [3] In Krishna and Radha in a Pavilion, the lovers sit on a bed beneath a jeweled pavilion in a lush garden of ripe mangoes and flowering shrubs. Krishna gazes directly into Radha's face. Radha shyly averts her gaze.
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Several of his paintings of Krishna, Lakshmi, Sarasvati, Ganesha and Shiva were published as posters by S. S. Brijbasi, a firm based in Karachi in pre-independence India (from 1918 until Partition), using chromolithography, [1] and printed in Germany. [5] Murli Manohar, the most recognisable painting of Narottam Narayan and a best-selling image.
Mewar, 1749. San Diego Museum of Art. Radha and Krishna in the boat of love by Nihal Chand. Kishangarh, c. 1750. National Museum, New Delhi. Umed Singh of Bundi with his Sons. Bundi, c. 1765. Yale University Art Gallery. Wedding of Krishna's Parents, Folio from a Bhagavata Purana series. Ascribed to a Master of the first generation after Manaku ...