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The quilting can either outline the patchwork motifs, or be a completely independent design, for when quilting, the design may not necessarily follow the patchwork design, and the design of the quilting may play off the patchwork design. Outline quilting is when the pieces of the pattern are outlined by the quilting stitches. [1]
The embroidered cloth has many uses including shawls, covers for mirrors, boxes, and pillows. In some cases, the entire cloth is covered with running stitches, employing beautiful motifs of flowers, animals, birds and geometrical shapes, as well as themes from everyday activities. The stitching on the cloth gives it a slightly wrinkled, wavy ...
Patchwork quilting in America dates to the 1770s, the decade the United States gained its independence from England. These late-eighteenth- and nineteenth-century patchwork quilts often mixed wool, silk, linen, and cotton in the same piece, as well as mixing large-scale (often chintz ) and small-scale (often calico ) patterns. [ 7 ]
Quilt, 19th century, cotton and wool. Nakshi kantha. Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notably in Bangladesh and the Indian states of West Bengal, Tripura, and parts of Assam.
Stuffed quilting, or trapunto, was known in Sicily as early as the 13th century. [2] One of the earliest surviving examples of trapunto quilting is the 1360-1400 Tristan Quilt, a Sicilian quilted linen textile surviving as two fragments, representing scenes from the story of Tristan and Isolde; one part of which is housed in the Victoria and Albert Museum and the other in the Bargello in Florence.
Elaborate Maya textiles featured representations of animals, plants, and figures from oral history. [10] In modern times, weaving serves as both an art form and a source of income. [11] Organizing into weaving collectives have helped Maya women earn better money for their work and greatly expand the reach of Maya textiles in the world.