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Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
Alma Thomas: Phantasmagoria, Major Paintings from the 1970s, 2001, Michael Rosenfeld Gallery, and Women's Museum: An Institution for the Future [68] A Proud Continuum: Eight Decades of Art at Howard University, 2005, Howard University [53] Color Balance: Paintings by Felrath Hines and Alma Thomas, 2010, Nasher Museum of Art [70]
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
Sally Schoch (born 1934) MFA is an American artist and abstract painter living in Wilmette, Illinois. She received her Master of Fine Arts degree from the School of the Art Institute of Chicago. Schoch has worked in fiber arts and painted in oils and watercolor, and is most known for her abstract paintings of flowers.
Art historian Britta Benke argues that due to "its meditative contemplation of individual objects", Summer Days is closer to a still life composition than to a landscape painting. [11] Author Marjorie P. Balge-Crozier suggests that there is an art historical precedent to O'Keefe's combination of still life and landscape imagery seen in Summer Days.