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Canzone: a lyric poem originating in medieval Italy and France and usually consisting of hendecasyllabic lines with end-rhyme. Epithalamium; Madrigal: a song or short lyric poem intended for multiple singers. Ode: a formal lyric poem that addresses, and typically celebrates, a person, place, thing, or idea. Horatian Ode
Other than the function of emphasizing ideas, the use of anaphora as a rhetorical device adds rhythm to a word as well as making it more pleasurable to read and easier to remember. Anaphora is repetition at the beginning of a sentence to create emphasis. Anaphora serves the purpose of delivering an artistic effect to a passage.
Your poem can be in verse (with rhyme and meter) or free verse. It can be long or short, light or serious. This is merely an exercise, like taking your imagination out for a walk.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Hypsos – great or worthy writing, sometimes called sublime; Longinus's theme in On the Sublime. Hysteron proteron – a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word; the goal is to call attention to the more important idea by placing it first.
The poem was first performed at the Six Gallery in San Francisco on October 7, 1955. [14] Ginsberg had not originally intended the poem for performance. The reading was conceived by Wally Hedrick—a painter and co-founder of the Six—who approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery.
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"
Later, Hader said that Armisen "would get me all the time," recalling one particular incident during a sketch called "Short-Term Memory Theater," wherein Hader played a doctor who tried to help ...