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The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Today, Murano and Venice are tourist attractions, and Murano is home to numerous glass factories and a few individual artists' studios. Its Museo del Vetro (Glass Museum) in the Palazzo Giustinian contains displays on the history of glassmaking as well as glass samples ranging from Egyptian times through the present day.
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Millefiori beads from Murano. Murano beads are intricate glass beads influenced by Venetian glass artists. Since 1291, Murano glassmakers have refined technologies for producing beads and glasswork such as crystalline glass, enamelled glass (smalto), glass with threads of gold (), multicolored glass (millefiori), milk glass (lattimo) and imitation gemstones made of glass.
Glass making in Murano Chandelier in Murano glass. Murano's reputation as a center for glassmaking was born when the Venetian Republic, fearing fire and the destruction of the city's mostly wooden buildings, ordered glassmakers to move their furnaces to Murano in 1291. Murano glass is still associated with Venetian glass.
The term rosetta first appeared in the inventory of the Barovier Glass works in Murano, in 1496, in context with beads as well as with other glass objects. Venetian chevron beads are drawn beads, made from glass canes, which are shaped using specifically constructed star moulds. The first chevron beads were made towards the end of the 15th ...