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Thus, the Hoysaleswara temple as it is survives in the contemporary era is a composite of the original Hindu temple architecture and design that was open, to which stone screens with outer walls and doors were added by the 14th-century, whose crowning towers (shikhara) have been lost, and whose ruins were repaired and restored many times in the ...
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During the early 14th century, Halebidu temple site along with others were sacked, looted and much artwork was damaged (particularly nose/face, limbs, sexual organs) by Muslim invaders from northern India (Khilji dynasty and Tughlaq dynasty of Delhi Sultanate).
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The reliefs at Hoysalesvara temple show her in many panels, some where she holds a musical instrument (possibly an Alapini veena or eka-tantri vina) and a few she does not. Three panels show her dancing, in a classical Indian dance posture (all are damaged panels, two of these panels is better preserved, the third is badly damaged).
The reliefs at Hoysalesvara temple show her in many panel, some where she holds a musical instrument. Three panels show her dancing, in a classical Indian dance posture (all are damaged panels, two of these panels is better preserved, the third is badly damaged).
Description: Vue d'ensemble (à gauche : le pavillon du teaureau Nandi) La ville d'Halebid a été la capitale du royaume des Hoysalas. Le temple de Hoysaleshwara a commencé à être construit en 1121 et les travaux se sont poursuivis durant des dizaines d'années.
The remains of a 30 m × 20 m (98 ft × 66 ft) Jain temple built in the time of Hoysala dynasty was discovered near the Shantinatha Basadi during an excavation in 2021. Many artefacts and sculptures were discovered in the temple site. [46] A 2 feet (0.61 m) Jain Upasaka sculpture was also discovered along with the temple remains. [47]