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The twelve masks of the Hahoetal represent the characters needed to perform all the roles in the Hahoe pyolsin-gut. Of the twelve original masks, nine remain and are counted among the national treasures of Korea. Each mask has a unique set of design characteristics to portray the full range needed in the representation of these stock characters.
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong (처용, 處容), a son of the Dragon King of the Eastern Sea. [1] It is also the oldest surviving Korean court dance created during the Unified Silla period.
Korean shamanism, also known as musok (Korean: 무속; Hanja: 巫俗) or Mu-ism (무교; 巫敎; Mugyo), is a religion from Korea. Scholars of religion classify it as a folk religion and sometimes regard it as one facet of a broader Korean vernacular religion distinct from Buddhism , Daoism , and Confucianism .
Through song and dance, the shaman begs the gods to intervene in the fortune of humans. The shaman wears a very colourful costume and normally speaks in ecstasy. During a rite, the shaman changes his or her costume several times. Rituals consist of various phases, called gori. [3]
The village is a UNESCO World Heritage Site, the dance-drama an Important Intangible Cultural Property, and a collection of thirteen (13) masks are a National Treasure. The ritual shares some of the major themes of Korean masked drama and Korean shamanism, namely satire and the ridicule of apostate Buddhist priests and the nobility. [1] [2] [3]
Songpasandae-nori (Korean: 송파산대놀이) is a type of sandae noli, Korean traditional mask play which has been handed down in the neighborhoods of Songpa-dong [1] and Garak-dong in modern-day Seoul, South Korea. Sandae Noli is a mask dance that developed in Seoul and the mid of metropolitan region. [2] [3]
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Masks of any type are called tal (Korean: 탈) in Korean, but they are also known by many others names such as gamyeon, gwangdae, chorani, talbak and talbagaji. Korean masks come with black cloth attached to the sides of the mask designed to cover the back of the head and also to simulate black hair.