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"No Surprises" is a song by the English rock band Radiohead, released as the fourth and final single from their third studio album, OK Computer (1997), in 1998. It was also released as a mini-album in Japan, titled No Surprises / Running from Demons. The singer, Thom Yorke, wrote "No Surprises" while Radiohead were on tour with R.E.M. in 1995.
Melody Maker likened one version in a 1998 review to Radiohead covering Unbelievable Truth, [27] an acoustic band led by Yorke's younger brother, Andy. [28] Yorke initially introduced "How to Disappear Completely" "for the benefit of the bootleggers". [29] He cited "Once in a Lifetime" (1980) by Talking Heads as a reference for writing the song ...
After no singles were released from their previous album, Kid A (2000), "Pyramid Song" was Radiohead's first single since "No Surprises" (1998). It reached the top 10 on seven national charts, and was named one of the best tracks of the decade by Rolling Stone , NME and Pitchfork .
"No Surprise" is a song recorded by American rock band Daughtry for their second studio album, Leave This Town (2009). It was released May 6, 2009 as the album's lead single , and the band debuted the song on American Idol that night. [ 1 ]
The Radiodread producer and arranger, Michael Goldwasser, said OK Computer had elements that were well suited to reggae, such as "strong melodies, intense dynamics and trippy soundscapes", but also uncommon elements such as complex time signatures and lots of chord changes.
No Surprise may refer to: "No Surprise" (Daughtry song), 2009 "No Surprise" (Theory of a Deadman song), 2005 "No Surprise", a 1998 song by Ratt from the album Reach ...
No Stylist (stylized in all caps) is the debut commercial mixtape and fifth overall mixtape by American rapper and singer Destroy Lonely. A surprise release, it was released through Opium, Ingrooves and Interscope Records on August 12, 2022. [1] [2] The mixtape features a single guest appearance from Opium labelmate Ken Carson.
Reviewing Kid A, the Guardian critic Alexis Petridis called "Everything in Its Right Place" a "messy and inconsequential doodle", [21] and the Melody Maker critic Mark Beaumont dismissed it as a "haphazard and pointless synth'n'laptop experiment". [22] Reviewing Kid A for the New Yorker, Nick Hornby described his disappointment in the song ...