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Media in category "Stained glass" This category contains only the following file. Francesc Labarta - Stained glass triptych - Google Art Project.jpg 5,374 × 3,831; 6.16 MB
Burne-Jones with William Morris, 1874, by Frederick Hollyer. Born Edward Coley Burne Jones (the hyphenation of his last names was introduced later) was born in Birmingham, the son of a Welshman, Edward Richard Jones, a frame-maker at Bennetts Hill, where a blue plaque commemorates the painter's childhood.
Window by Franz Mayer & Co. for St. Matthew's German Evangelical Lutheran Church in Charleston, South Carolina, USA. Franz Mayer of Munich is a German stained glass design and manufacturing company, based in Munich, Germany and a major exponent of the Munich style of stained glass, that has been active throughout most of the world for over 170 years.
Alternatively they may be used for painting linear effects, or polychrome areas of detail. The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint".
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Richard Joseph King (Rísteard Ó Cíonga; 7 July 1907–17 March 1974) [2] was an Irish stained glass artist and illustrator. He was born in Castlebar, County Mayo, Ireland, where his father was a sergeant in the Royal Irish Constabulary.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The destruction of Reims Cathedral and its stained glass in 1914 caused shock across France and led to all Chartres' windows being taken out and stored throughout both world wars. Conservation and removal of pollution has been ongoing since 1972. Preliminary studies were carried out by the Laboratoire de recherche des monuments historiques . [5]