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An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
A lament or lamentation is a passionate expression of grief, often in music, poetry, or song form. The grief is most often born of regret , or mourning . Laments can also be expressed in a verbal manner in which participants lament about something that they regret or someone that they have lost, and they are usually accompanied by wailing ...
Keening (Irish: caoineadh, pronounced [ˈkiːnʲə]) is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition, known to have taken place in Ireland and Scotland. Keening, which can be seen as a form of sean-nós singing , is performed in the Irish and Scottish Gaelic languages (the Scottish equivalent of keening is ...
It was a poetic lament for the dead, addressed directly to the dead person. A leading keening woman (bean chaointe) chanted verses and led a choral death wail, in which the other keeners joined while swaying rhythmically. Sometimes professional keeners were hired to fulfill this obligation to the dead.
A dirge (Latin: dirige, nenia [1]) is a somber song or lament expressing mourning or grief, such as may be appropriate for performance at a funeral.Often taking the form of a brief hymn, dirges are typically shorter and less meditative than elegies. [2]
The death wail is a keening, mourning lament, generally performed in ritual fashion soon after the death of a member of a family or tribe.Examples of death wails have been found in numerous societies, including among the Celts of Europe; and various indigenous peoples of Asia, the Americas, Africa, New Zealand and Australia.
"I that in Heill wes and Gladnes", also known as "The Lament for the Makaris", is a poem in the form of a danse macabre by the Scottish poet William Dunbar. Every fourth line repeats the Latin refrain timor mortis conturbat me (fear of death troubles me), a litanic phrase from the Office of the Dead .
This is in line with the Greek idea that even the gods could be polluted by death, and hence anything related to the sacred had to be kept away from death and dead bodies. Hence, many inscriptions in Greek temples banned those who had recent contact with dead bodies. [8] After the body was prepared, it was laid out for viewing on the second day.