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Bergstutz or Stollwurm. In the folklore of the Alpine region of south-central Europe, the Tatzelwurm (German: [ˈtatsl̩ˌvʊʁm]), Stollenwurm, or Stollwurm is a lizard-like creature, often described as having the face of a cat, with a serpent-like body which may be slender or stubby, with four short legs or two forelegs and no hindlegs.
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters ...
Pair of Italian figures in painted wood, 18th century "Moor with Emerald Cluster" by Balthasar Permoser in the collection of the Grünes Gewölbe. Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status.
The knucker or the Tatzelwurm is a wingless biped, and often identified as a lindworm. In legends, lindworms are often very large and eat cattle and human corpses, sometimes invading churchyards and eating the dead from cemeteries. [19] The maiden amidst the Lindorm's shed skins.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
The artwork itself is the emptiness and darkness of a pitch-black room. [4] [5] Robert Barry "Telepathic Piece" 1969: An artwork "the nature of which is a series of thoughts that are not applicable to language or image", which Barry would communicate telepathically to visitors during the exhibit. [6] Andy Warhol "Invisible Sculpture" 1985
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