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Nature photography tends to place a stronger emphasis on the aesthetic value of the photo than other photography genres, such as photojournalism and documentary photography. [ 1 ] "Nature photography" overlaps the fields of—and is sometimes considered an overarching category including -- " wildlife photography ," " landscape photography ...
Aesthetics of nature developed as a sub-field of philosophical ethics. In the 18th and 19th century, the aesthetics of nature advanced the concepts of disinterestedness, the pictures, and the introduction of the idea of positive aesthetics. [1] The first major developments of nature occurred in the 18th century.
Landscape photography (often shortened to landscape photos) shows the spaces within the world, sometimes vast and unending, but other times microscopic. Landscape photographs typically capture the presence of nature but can also focus on human-made features or disturbances of landscapes. Landscape photography is done for a variety of reasons.
A natural monument is a natural or cultural feature of outstanding or unique value because of its inherent rarity, representative of aesthetic qualities, or cultural significance. [1] They can be natural geological and geographical features such as waterfalls, cliffs, craters, fossil, sand dunes, rock forms, valleys and coral reefs.
Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
Environmental art is a range of artistic practices encompassing both historical approaches to nature in art and more recent ecological and politically motivated types of works. [ 1 ] [ 2 ] Environmental art has evolved away from formal concerns, for example monumental earthworks using earth as a sculptural material , towards a deeper ...
Already in the production process of their photography series, Daniel and Geo Fuchs consider the respective form of the presentation in the exhibition room. An always recurring feature is the large size/format which admittedly represents a formal attribute, but is not separated from the content.
Significant form refers to an aesthetic theory developed by English art critic Clive Bell which specified a set of criteria for what qualified as a work of art. [1] In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed ...