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CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
Ariadne is being crowned with stars, corresponding to the constellation Corona ("crown"). Catullus 64 is an epyllion or "little epic" poem written by Latin poet Catullus . Catullus' longest poem, it retains his famed linguistic witticisms while employing an appropriately epic tone.
Title of a poem by Lesya Ukrainka; it derives from an expression found in Paul's Letter to the Romans 4:18 (Greek: παρ' ἐλπίδα ἐπ' ἐλπίδι, Latin: contra spem in spe[m]) with reference to Abraham the Patriarch who maintained faith in becoming the father of many nations despite being childless and well-advanced in years.
First century AD; located at the Porta Salaria, Rome, commemorating an 11-year-old who won a poetry contest in 95 AD. The history of Latin poetry can be understood as the adaptation of Greek models. The verse comedies of Plautus, the earliest surviving examples of Latin literature, are estimated to have been composed around 205–184 BC.
The poem speaks of the Waise (i.e., The Orphan) stone, which was a big and prominent jewel on the front of the crown, probably a white opal with an exceptionally brilliant red fire, since replaced by a triangular blue sapphire. The first definite pictorial image of the crown can only be found later in a mural in the Karlstein Castle close to ...
Latin prosody (from Middle French prosodie, from Latin prosōdia, from Ancient Greek προσῳδία prosōidía, 'song sung to music', 'pronunciation of syllable') is the study of Latin poetry and its laws of meter. [1]
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
As early as 1822 the poem was being sung in a choral setting by the papal choirmaster Giuseppe Baini, being popular not only in Rome, but also in Berlin, where Crown Prince Frederick William IV heard Baini's setting of O Roma nobilis at the Singakademie in Berlin on November 27, 1827 [11] and it reached even the ears of German poet Goethe. [12]