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Dove and Rose jacquard-woven silk and wool double cloth furnishing textile, designed by William Morris in 1879. [1]Double cloth or double weave (also doublecloth, double-cloth, doubleweave) is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. [2]
The development of the rapier loom began in 1844, when John Smith of Salford was granted a patent on a loom design that eliminated the shuttle typical of earlier models of looms. [3] Subsequent patents were taken out by Phillippe and Maurice in 1855, W.S. Laycock in 1869, and W. Glover in 1874, with rigid rapiers being perfected by O ...
Weaving a tapestry on a vertical loom in Konya, Turkey A Turkish carpet loom showing warp threads wrapped around the warp beam, above, and the fell being wrapped onto the cloth beam below. A simple handheld frame loom. Weaving is done on two sets of threads or yarns, which cross one another.
A loom from the 1890s with a dobby head. A dobby loom, or dobbie loom, [1] is a type of floor loom that controls all the warp threads using a device called a dobby. [2]Dobbies can produce more complex fabric designs than tappet looms [2] but are limited in comparison to Jacquard looms.
Viking longships used wool for sailcloth. The cloth was woven in one of three ways, according to locality and tradition: plain weave with individual threads going over and under each other, three-shaft twill with two threads going over and under at each cross thread, and four-shaft twill with thread interwoven with two threads at a time in either direction.
The lighter E-model of 1909 was joined in the 1930 by the heavier X-model. Continuous fibre machines, say for rayon, which was more break-prone, needed a specialist loom. This was provided by the purchase of the Stafford Loom Co. in 1932, and using their patents a third loom the XD, was added to the range.
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
A weaving shed, showing how all the looms were powered from overhead shafts. The early mills had a vertical shaft to take the power from the flywheel. On each floor horizontal shafts engaged with the main shaft using bevel gearing. American mills used thick leather belts instead of shafts. A new approach was to use thick cotton ropes.