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Mihrab (Arabic: محراب, miḥrāb, pl. محاريب maḥārīb) is a niche in the wall of a mosque that indicates the qibla, the direction of the Kaaba in Mecca towards which Muslims should face when praying. The wall in which a mihrab appears is thus the "qibla wall".
Next to the main mihrab (the concave niche in the qibla wall) is a wooden minbar, a pulpit for the imam, consisting of a wooden staircase leading to small kiosk-like structure topped by a curving finial. The inscription on the minbar attributes it to Sultan Lajin and dates it to 1296. [49] It is an excellent example of early Mamluk-period ...
The general layout of the mosque is a traditional hypostyle building with a central courtyard. As the mosque's prayer area is aligned with the qibla (direction of Mecca) but the street outside is not, the mosque's external façade has a different alignment from the rest of the structure and the entrance involves a bending passage from the street to the mosque interior. [3]
The qibla is the direction of the Kaaba, a cube-like building at the centre of the Sacred Mosque (al-Masjid al-Haram) in Mecca, in the Hijaz region of Saudi Arabia. Other than its role as qibla, it is also the holiest site for Muslims, also known as the House of God (Bayt Allah) and where the tawaf (the circumambulation ritual) is performed during the Hajj and umrah pilgrimages.
The mosque's mihrab, whose decor is a remarkable witness of Muslim art in the early centuries of Islam, is distinguished by its harmonious composition and the quality of its ornaments. Considered as the oldest example of concave mihrab, it dates in its present state to 862–863 AD. [77] Upper part of the mihrab Luster tiles of the mihrab
The mihrab, a niche symbolizing the qibla (direction of prayer), is set in the middle of the qibla wall (the southern wall) of the prayer hall and is a central focus of its layout. The prayer hall has a "T"-plan, in that the central nave aligned with the mihrab and another transverse (i.e. perpendicular) aisle running along the qibla wall are ...
The last aisle, directly in front of the qibla wall, was distinguished by being slightly wider, as was the middle nave that led to the mihrab. This formed a "T" in the plan, which was a recurring feature in other medieval mosques in this region.
[12]: 178–180 On either side of the mihrab are two doors giving access to small chambers, one of which was used to store the wooden minbar (a ceremonial pulpit). Above and right in front of the mihrab is a large square cupola filled with a dome of finely-carved and painted muqarnas (stalactite or honeycomb-like geometric sculpture). Similar ...