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La gazza ladra (Italian pronunciation: [la ˈɡaddza ˈlaːdra], The Thieving Magpie) is a melodramma or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on La pie voleuse by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez.
The Rossini Bicentennial Birthday Gala is a live album of operatic and sacred music by Gioachino Rossini, performed by Rockwell Blake, Craig Estep, Maria Fortuna, Thomas Hampson, George Hogan, Marilyn Horne, Kathleen Kuhlmann, Mimi Lerner, Chris Merritt, Jan Opalach, Samuel Ramey, Henry Runey, Frederica von Stade, Deborah Voigt, the Concert Chorale of New York and the Orchestra of St. Luke's ...
Il turco in Italia (English: The Turk in Italy) is an opera buffa in two acts by Gioachino Rossini.The Italian-language libretto was written by Felice Romani.It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [] in 1788.
La Cenerentola, ossia La bontà in trionfo: dramma giocoso 2 acts Jacopo Ferretti, after Cendrillon (1698) by Charles Perrault [d] 25 January 1817 Teatro Valle, Rome I/20 La gazza ladra: melodramma: 2 acts Giovanni Gherardini , after La Pie voleuse (1815) by Baudouin d'Aubigny and Louis-Charles Caigniez: 31 May 1817 Teatro alla Scala, Milan I ...
The Thieving Magpie (La Gazza Ladra) is a double live album by the British neo-prog band Marillion.It was named after the introductory piece of classical music the band used before coming on stage during the Clutching at Straws tour 1987–1988, the overture to Rossini's opera La gazza ladra, which translates as "The Thieving Magpie".
Torvaldo e Dorliska is an operatic dramma semiserio in two acts by Gioachino Rossini to an Italian libretto by Cesare Sterbini, based on the novel/memoir Les Amours du chevalier de Faublas [] (1787–1790) by the revolutionary Jean-Baptiste Louvet de Couvrai, whose work was the source of the Lodoïska libretto set by Luigi Cherubini (1791), and Lodoiska set by Stephen Storace (1794), and Simon ...
His operas were so popular, that some of his Paris premieres were given at the larger Salle Le Peletier, including La gazza ladra (18 September 1821), Elisabetta, regina d'Inghilterra (10 March 1822), Mosè in Egitto (20 October 1822), and La donna del lago (7 September 1824, produced under Rossini's supervision). [28]
In 1818, Rossini secured her as Ninetta in his La gazza ladra for the grand inauguration of the newly built Teatro Nuovo in Pesaro. Rossini had grand ideas for the occasion and he wanted Isabella Colbran and Andrea Nozzari for a colossal production of his Armida; however budget constraints forced him to downsize his dreams, but when an attempt to secure his friend Rosa Morandi for La gazza ...