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Literary realism is a literary genre, part of the broader realism in arts, that attempts to represent subject-matter truthfully, avoiding speculative fiction and supernatural elements. It originated with the realist art movement that began with mid- nineteenth-century French literature ( Stendhal ) and Russian literature ( Alexander Pushkin ...
Dirty Realism is the fiction of a new generation of American authors. They write about the belly-side of contemporary life – a deserted husband, an unwanted mother, a car thief, a pickpocket, a drug addict – but they write about it with a disturbing detachment, at times verging on comedy.
The 1960s saw an age of new realism in children's books emerge. Given the atmosphere of social revolution in 1960s America, authors and illustrators began to break previously established taboos in children's literature. Controversial subjects dealing with alcoholism, death, divorce, and child abuse were now being published in stories for children.
Realism was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. 19th-century realism is closely connected to the development of modern drama, which "is usually said to have begun in the early 1870s" with the "middle-period" work of the Norwegian dramatist Henrik Ibsen ...
Correspondence theory is a traditional model which goes back at least to some of the ancient Greek philosophers such as Plato and Aristotle. [2] [3] This class of theories holds that the truth or the falsity of a representation is determined solely by how it relates to a reality; that is, by whether it accurately describes that reality.
Naïve realism argues we perceive the world directly. In philosophy of perception and epistemology, naïve realism (also known as direct realism or perceptual realism) is the idea that the senses provide us with direct awareness of objects as they really are. [1] When referred to as direct realism, naïve realism is often contrasted with ...
One False Note is the second book in The 39 Clues series. It is written by Gordon Korman, [1] and was published by Scholastic on December 2, 2008. [2] Following the events of The Maze of Bones, the protagonists Amy and Dan Cahill learn about Mozart and travel to Vienna, Austria to search for the second clue in the 39 Clues competition.
Wilde presents the essay as a Socratic dialogue between two characters, Vivian and Cyril, who are named after his own sons. [1] Their conversation, while playful and whimsical, promotes Wilde's view of Aestheticism over Realism. [2] [3] Vivian tells Cyril of an article he has been writing called "The Decay of Lying: A Protest". According to ...