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"Stories listed above marked with a double-asterisk are included in L. E. Modesitt, Jr., Viewpoints Critical: Selected Stories (New York: Tor Books, 2008), ISBN 978-0-7653-1857-2. The three stories dated 2008 appeared for the first time in this book.
L. E. (Leland Exton) Modesitt Jr. (/ ˈ m ɒ d ɪ s ɪ t /; born 1943 [1]) is an American science fiction and fantasy author who has written over 80 novels. He is best known for the fantasy series The Saga of Recluce. [2] By 2015, the 18 novels in the Recluce series had sold nearly three million copies. [3]
The Saga of Recluce is a series of fantasy novels written by L. E. Modesitt Jr. The initial novel in the series, The Magic of Recluce, was published in 1991.The series is still in publication with the latest novel published in November 2024, and two scheduled for 2025. [1]
The Imager Portfolio is a 12 book series of fantasy novels recently completed by American novelist L. E. Modesitt, Jr. The series is published by Tor Books.The first novel, Imager, was first published in 2009; Endgames, the final volume, was completed in February 2019.
Hartwell used the work to initiate The Palencar Project, [13] in which five writers, L. E. Modesitt Jr., Gene Wolf, Michael Swanwick, Gregory Benford, and James Morrow all wrote short stories based on the painting. [14] The same painting would later be used as the cover for The One-Eyed Man [15] by L. E. Modesitt Jr. [16]
Adiamante is a 1996 science fiction novel written by L. E. Modesitt, Jr. [1] [2] It is outside the span of his series work but maintains several of his main themes, including justification of pre-emptive force, nanotechnology, a nearly destroyed but rebuilt Earth, misuse of technology leading to man's downfall, internalized information networks, and shortening or slurring of the names of ...
The Forever Hero is a trilogy of science fiction novels by American writer L. E. Modesitt, Jr. These books were some of the first novels L. E. Modesitt ever published. [1] Like most of his early work, the books are characterised by heavy usage of onomatopoeia, and a tendency to describe the characters by their physical appearance rather than ...
[2] Publishers Weekly said "Modesitt strives for emotional rather than intellectual satisfaction. His future has much eye-pleasing chrome, but it lacks infrastructure, making the book seem more contemporary techno-thriller than SF (parents queuing up in hydrogen-powered cars to pick up their kids after school)." [3]