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Ashiqa - Khusro pays a glowing tribute to Hindi language and speaks of its rich qualities. [40] It is a masnavi that describes the tragedy of Deval Devi. The story has been backed by Isaami. [41] Qissa Chahar Dervesh (The Tale of the Four Dervishes) - a dastan told by Khusrau to Nizamuddin Auliya.
Aaj Rang Hai (Urdu: آج رنگ ہے; Hindi: आज रंग है; transl. Today There is a Glow) also known as Rang or Rung (transl. Color) is a Qawwali written by the 13th-century Sufi poet, Amir Khusrau [1] in Hindavi [2] and Braj Bhasha [3] dialects.
Chhaap Tilak Sab Chheeni, is a Kafi written and composed by Amir Khusro, a 14th-century Sufi mystic, in North Central Indian language Braj Bhasha.Due to the resonance of its melody and mystical lyrics, it is frequently heard in Qawwali concerts across Indian Subcontinent. [1]
An illustrated manuscript of one of Amir Khusrau's poems. A page of Amir Khusrow's riddles. The Riddles of Amir Khusrow were developed during the royal courts of more than seven rulers of the Delhi Sultanate. During this time, Khusrow wrote not only many playful riddles, but songs and legends which have been a part of popular culture in South ...
Amir Khusro (1253–1325) composed the first ghazal in Urdu, titled ze-hāl-e-miskīñ. [2] He wrote in Persian and Rekhta (initial form of Urdu). Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5]
Nizami Bandhu (Hindi: निज़ामी बंधु, Urdu: نظامی بندھو) are an India musical group composed of Ustad Chand Nizami, Shadab Faridi and Sohrab Faridi Nizami. [1] [2] They perform Qawaali written by the poet Amir Khusro in honour of Nizamuddin Auliya. [3] [4]
Standard Hindustani first developed with the migration of Persian Khari Boli speakers from Delhi to the Awadh region—most notably Amir Khusro, mixing the 'roughness' of Khari Boli with the relative 'softness' of Awadhi to form a new language which became called "Hindavi." This also became referred to as Hindustani, which was adopted as Hindi ...
The work of Shukla traces the genesis of Hindi poetry and prose since the 6th century and its development through Buddhist and Nath schools and the medieval contributions of Amir Khusro, Kabirdas, Ravidas, Tulsidas, stretching to the modern realism of Nirala and Premchand.