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Sa Sc Se Si So St Su Sc Alessandro Scarlatti (1660–1725) Aria "Vaga rosa tenerella" for voice, viola d'amore or viola and harpsichord or piano (1680); transcription by Louis van Waefelghem (1899) Andrea Lorenzo Scartazzini (b. 1971) Cammina cammina for mezzo-soprano, viola and theorbo (1996); words by Giuseppe Ungaretti ; Bärenreiter Verlag Giacinto Scelsi (1905–1988) Cœlocanth, 3 ...
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
G Morten Gaathaug (b. 1955) 5 Duets for violin and viola, Op. 2b (1978); Music Information Centre Norway Norwegian Fantasy for clarinet, viola and piano, Op. 44b (1994); Music Information Centre Norway Quasi una fantasia for viola and piano, Op. 12d (1980, 2002); Music Information Centre Norway Kenneth Gaburo (1926–1993) Ideas and Transformations No. 1 for violin and viola (1954–1955 ...
The viola sonata is a sonata for viola, sometimes with other instruments, usually piano.The earliest viola sonatas are difficult to date for a number of reasons: in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's Three Sonatas for Viola da Gamba and Harpsichord, now most often played on the cello) [citation ...
The variations proceed as follows: Variation I is in 6/8 time, with the melody, now in E-Flat minor reduced to notes of equal length, played in a contrapuntal overlap by the piano and viola. Variation II returns to 2/4, and is a spry, rhythmic rendition of the theme in the viola over an accompaniment of staccato thirds and sixths. Variation III ...