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Sa Sc Se Si So St Su Sc Alessandro Scarlatti (1660–1725) Aria "Vaga rosa tenerella" for voice, viola d'amore or viola and harpsichord or piano (1680); transcription by Louis van Waefelghem (1899) Andrea Lorenzo Scartazzini (b. 1971) Cammina cammina for mezzo-soprano, viola and theorbo (1996); words by Giuseppe Ungaretti ; Bärenreiter Verlag Giacinto Scelsi (1905–1988) Cœlocanth, 3 ...
Suite Hébraïque for viola and piano or orchestra (1951) Johannes Brahms (1833–1897) Sonata No. 1 in F minor for viola and piano, Op. 120 No. 1 (1894) Sonata No. 2 in E-flat major for viola and piano, Op. 120 No. 2 (1894) Two Songs for voice, viola and piano, Op. 91 (1884) Max Bruch (1838–1920) Concerto for Clarinet, Viola, and Orchestra ...
Ba Be Bi Bj Bl Bo Br Bu By B Ba Vahram Babayan (born 1948) Sonata for viola and piano, Op. 88 (1985) Sonata for viola solo, Op. 127 (2000) Milton Babbitt (1916–2011) Composition for viola and piano (1950); Associated Music Publishers Inc. Mehr “Du” for soprano, viola and piano (1991); C. F. Peters Play It Again, Sam for viola solo (1989); C. F. Peters Soli e Duettini for violin and viola ...
D Jean Daetwyler (1907–1994) Concerto for viola and orchestra (1979) Jörgen Dafgård (b. 1964) For the Sleeping: Dream Sonata for viola and tape (1997–1998) Frames and Flow, 6 Duets for violin, viola and cello (1988–2000); Nos. 1 and 3 for viola and cello; Nos. 2 and 5 for violin and viola; STIM; Swedish Music Information Centre Roland Dahinden (b. 1962) broken lines for viola and ...
The viola sonata is a sonata for viola, sometimes with other instruments, usually piano.The earliest viola sonatas are difficult to date for a number of reasons: in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's Three Sonatas for Viola da Gamba and Harpsichord, now most often played on the cello) [citation ...
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.