Ads
related to: american way of life poster
Search results
Results From The WOW.Com Content Network
A World War II-era American propaganda poster citing the American way as the source of American effectiveness in the war. American writer and intellectual William Herberg offers the following definition of the American way of life: [1] The American Way of life is individualistic, dynamic, and pragmatic. It affirms the supreme value and dignity ...
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (70 years p.m.a.), Mainland China (50 years p.m.a., not Hong Kong or Macao), Germany (70 years p.m.a.), Mexico (100 years p.m.a.), Switzerland (70 years p.m.a.), and other countries with individual treaties.
Among his production, he is remarkable for his art deco period, his political propaganda during the Spanish Civil War, the photomurals of the Spanish Pavilion in the International Exhibition of 1937 in Paris, a series of photomontages titled Fata Morgana or The American Way of Life, and murals and paintings made in Mexico, such as Tropic, dated ...
The American government dispersed propaganda through movies, television, music, literature and art. The United States officials did not call it propaganda, maintaining they were portraying accurate information about Russia and their Communist way of life during the 1950s and 1960s. [15]
A poster promoting the planting of victory gardens by American civilians The government encouraged people to plant vegetable gardens to help prevent food shortages. Magazines such as Saturday Evening Post and Life printed articles supporting it, while women's magazines included directions for planting. [ 233 ]
Depictions of subdivisions in pop culture began to highlight the darker sides of life there, with dysfunctional suburbia becoming a common setting in the late '90s and early 2000s.
Controversy soon became a way of life for American artists. In fact, much of American painting and sculpture since 1900 has been a series of revolts against tradition. "To hell with the artistic values," announced Robert Henri (1865–1929).
The album cover was based on a 1937 monochrome photograph by Margaret Bourke-White, titled At the Time of the Louisville Flood, on which the advertising slogan was "There's No Way Like the American Way". [1] The original photograph was published in the February 15, 1937 edition of Life magazine. [4]