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Poets of Punjabi language (Shahmukhi: پنجاب دے شاعر, Gurmukhi: ਪੰਜਾਬ ਦੇ ਕਵੀ). This is a dynamic list and may never be able to satisfy particular standards for completeness.
Punjabi literature, specifically literary works written in the Punjabi language, is characteristic of the historical Punjab of Pakistan and India and the Punjabi diaspora. The Punjabi language is written in several scripts, of which the Shahmukhi and Gurmukhī scripts are the most commonly used in Western Punjab and Eastern Punjab , respectively.
This page is a list of noteworthy Punjabi authors, who were born or lived in the Punjab, or who write in the Punjabi language This is a dynamic list and may never be able to satisfy particular standards for completeness.
Mian Muhammad Bakhsh – Punjabi Sufi poet (c. 1830–1907) Waris Shah – Punjabi Sufi Poet (1722–1798) Sultan Bahu – Punjabi poet, Sufi mystic, and scholar (1630–1691) Shah Hussain – Punjabi Sufi poet (1538–1599) Ustad Daman – Pakistani Punjabi-language poet (1911–1984)
Afarin Lahori, Faqirullah Afarin Lahori or commonly known as Afarin, (Punjabi: آفرین لاہوری۔, c. 1660 – d. 1741) was a Punjabi poet from Lahore. He wrote many books during his lifetime of 81 years, especially remembered for his romantic epic poem, "Nāz o nīāz", also known as Hīr o Ranǰha in which he wrote the traditional Punjabi story of Heer and Ranjha, who lives in Takht ...
Anwar Masood (Urdu: انورمسعود, Punjabi: انورمسعود Punjabi: ਅਨਵਰ ਮਸਊਦ; born 8 November 1935) is a Pakistani poet and educationist known for his comic poetry. [1] However, his works include other genres as well.
Sharif Kunjahi (Punjabi: شریف کنجاہی ()) (1914 – 2007) was a leading writer and poet of Punjabi language.. He was among the first faculty members of the Department of Punjabi Language at University of Punjab in the 1970s and contributed to Punjabi literature as a poet, prose writer, teacher, research scholar, linguist, lexicographer and translator.
These poems relate to Kaur's sad feeling after a breakup. [11] While speaking about the effects after love is gone, Kaur discusses a break-up to-do list. [9] The last chapter, "the healing," is an attempt to comfort and show women that they should embrace who they are and that they are valuable, no matter what they had to endure. [11]