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The songs do not follow a set pattern; rather, the lyrics are sung impromptu, mostly improvised, and eulogise the person who has died. [2] The oppari is also often centred around the relatives of the deceased and stresses the nature of the blood relation (mother, father, brother, sister etc.) between the person and the deceased. [3]
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As it is a lament, it is played slowly and sadly, often using instruments such as the violin, piano, guitar or bagpipes. It has been covered by many artists since its release, and is still reasonably well known today. As it was written in 1903, the lyrics, by Thomas McWilliam, [2] and music to "Hector the Hero" have passed into the public domain.
A lament in the Book of Lamentations or in the Psalms, in particular in the Lament/Complaint Psalms of the Tanakh, may be looked at as "a cry of need in a context of crisis when Israel lacks the resources to fend for itself". [8] Another way of looking at it is all the more basic: laments simply being "appeals for divine help in distress". [9]
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German playwright Carl Zuckmayer in 1966 used the song's line "Als wär's ein Stück von mir" as the title for his autobiography (English title: A Part of Myself). "The Good Comrade" still plays an important ceremonial role in the Austrian and German armed forces and remains an integral part of each military funeral , continuing a tradition ...
Her lone personal piper – whose time playing the bagpipes outside her window each morning to wake her is at an end – performed the traditional sweetly titled lament Sleep, Dearie, Sleep. Show ...
The precursor to the balag was the City Lament, a type of prayer that was recited when temples were destroyed and rebuilt. [7] The balag instrument was known to accompany the city lament. [7] Over time, as city laments became associated with scribal schools, the balag was adapted for many different ritual uses. [7]