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Unlike the first revival, which wholly concerned itself with traditional music, the second revival was a part of the birth of non-traditional contemporary folk music. Like the American revival, it was often overtly left wing in its politics, and the leading figures, the Salford-born Ewan MacColl and A. L. Lloyd, were both involved in trade ...
The commercially oriented folk-music revival as it existed in coffee houses, concert halls, radio, and TV was predominantly an English-language phenomenon, though many of the major pop-folk groups, such as the Kingston Trio, Peter, Paul and Mary, The Chad Mitchell Trio, The Limeliters, The Brothers Four, The Highwaymen, and others, featured ...
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Created Date: 8/30/2012 4:52:52 PM
[8] Tawney's song, "Sally Free And Easy", written in the late 1950s, was covered by numerous folk artists, including Carolyn Hester, Dorris Henderson and John Renbourn, Davey Graham, Pentangle, The Corries, Marianne Faithfull, Alan Stivell and Bob Dylan. [1] The song is about an affair Tawney had with a girl who cheated on him.
Folk Roots, New Routes is regarded as a landmark album of the folk revival; [5] [6] [7] Jude Rogers writing for NPR called it "an uncompromising work that spearheaded innovation in the middle of the folk music revival. It set a template for the folk-rock that followed it, and inspired 21st century psych-folk decades later." [8] It is described ...
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Electric Eden: Unearthing Britain's Visionary Music is a 2011 book by Rob Young about the history of British folk music in the 1960s and 1970s. It is published by Faber & Faber . [ 2 ]