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Unlike Noh mask s, Kyogen masks are used primarily for non-human characters and comic roles, as most human characters perform unmasked to allow for more expressive facial reactions. Kyōgen Sakusha Professional kabuki playwrights (狂言作者) who emerged during the Genroku period as plays became more complex.
The character of Sukeroku in Sukeroku Yukari no Edo Zakura wears mukimi kuma kumadori, and is the epitome of a handsome kabuki hero attempting to win the love of a high-ranking courtesan. Zare-Guma ( ざれ隈 , "playful" kumadori ) - the style of kumadori used for comic villains; though the kumadori is red, the lines used make the character ...
These are, however, ateji characters which do not reflect actual etymology. The kanji of 'skill' generally refers to a performer in kabuki theatre. Since the word kabuki is believed to derive from the verb kabuku, meaning 'to lean' or 'to be out of the ordinary', the word kabuki can also be interpreted as 'avant-garde' or 'bizarre' theatre. [2]
Japanese Nanatsumen (七つ面) is a play in the Kabuki repertoire, and one of the celebrated Kabuki Jūhachiban ("Eighteen Great Plays"). The play is known in English as The Seven Masks .
Hannya masks appear in various skin tones: a white mask indicates a woman with a refined character (such as the aristocratic Lady Rokujō in Aoi no Ue), a red mask depicts a less refined character (like the spirit of peasant girl seen in Dōjōji), and the darkest red depicts true demons (revealed after appearing as women, as in Momijigari and ...
Hyottoko seems to have been a legendary character in Japan in the past, and is now a stock character. In Iwate Prefecture , there is a myth about the origin of Hyottoko. In the story, there was a boy with a bizarre face who could create gold out of his belly button, so when someone died in a house, you would put the mask of this boy at the top ...
Ukiyo-e print by Utagawa Kunisada. Aragoto ( 荒事 ) , or 'rough style', [ 1 ] is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup ( kumadori ) worn by actors, as well as their enlarged and padded costumes. [ 2 ]
Noh is one of the four major types of Japanese theatre.. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment kyōgen; kabuki, a dance and music theatrical tradition; bunraku, puppetry; and yose, a spoken drama.