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Noir denotes a marked darkness in theme and subject matter, generally featuring a disturbing mixture of sex and violence. [1]While related to and frequently confused with hardboiled detective fiction—due to the regular adaptation of hardboiled detective stories in the film noir style—the two are not the same. [2]
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Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g.
First edition (publ. Bantam Books) Cover art by Broeck Steadman. Noir is a science fiction novel by K. W. Jeter, published in 1998. [1] It uses the conventions of film noir – the alienated, doomed hero, the cynical private detective, the femme fatale, universal corruption and moral breakdown – to portray a dystopian vision of capitalism run riot.
Film noir (/ n w ɑːr /; French: [film nwaʁ]) is a style of Hollywood crime dramas that emphasizes cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist ...
A Notice of Intent to Revoke (NOIR) is a communication sent by the United States Citizenship and Immigration Services to a petitioner about a previously approved petition, telling him or her that the USCIS intends to revoke the petition, along with the reasons for revocation, and giving the petitioner a fixed amount of time to respond. [1]
The sentence can be read as "Reginam occidere nolite, timere bonum est, si omnes consentiunt, ego non. Contradico. " ("don't kill the Queen, it is good to be afraid, even if all agree I do not. I object."), or the opposite meaning " Reginam occidere nolite timere, bonum est; si omnes consentiunt ego non contradico.
In a contemporary review for The New York Times, critic Howard Thompson wrote:. While supposedly based on fact, the rhetorical contrivances of this lengthy Twentieth Century-Fox item defeat a trim little cast headed by Joseph Cotten and Jean Peters, and offers a few bursts of suspense and a fairly provocative story blueprint, the stalking of a beautiful poison expert. ...