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The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama. It is called mask dance because the dancers use topeng (mask) during dancing and Betawi people believed that the topeng has magical powers. [3]
Betawi mask dance or tari topeng Betawi is a theatrical form of dance-drama of the Betawi people in Jakarta, Indonesia. [9] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [10] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Betawi mask dance (Tari Topeng Betawi) Mangkeng is a ceremony used at important public gatherings and especially at weddings. The main purpose is to bring good luck and ward off the rain. It is performed by the village shaman, also called the Pangkeng shaman, where the name originates. [32]
Yapong dance is colored by Betawi folk dance, then processed by the inclusion of elements of pop dance, including elements of Sumatran dance. Because Betawi culture is heavily influenced by elements of Chinese culture , the Yapong dance also contains elements of Chinese art, for example on the cloth worn by the dancers there is a dragon motif ...
An archaic ondel-ondel during the colonial period, performed at the opening of the new wing of Hotel des Indes.. Traditionally, the figure of ondel-ondel was known as barongan, a word derived from barong, a protective spirit that can be found across the animistic Austronesian culture long before the arrival of Hinduism.
Setu Babakan Betawi Cultural Village or Setu Babakan is a cultural park of Betawi people, which is located at Srengseng Sawah, Jagakarsa, Jakarta in Indonesia. [1] The village is about 5 kilometers southeast of Ragunan Zoo at the center of the Betawi Cultural Village, a site considered as part of the cultural heritage of Jakarta, which is devoted to the preservation of the indigenous Betawi ...
Lenong is a form of theatre traditional to the Betawi people of Jakarta, Indonesia. Dialogue is generally in the Betawi dialect. Actions and dialogue are often presented in a humorous manner on top of a stage known as a pentas tapal kuda, so named for the way actors enter the stage from the left and right. Audiences sit in front of the stage. [1]
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