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A voice frequency (VF) or voice band is the range of audio frequencies used for the transmission of speech. Frequency band
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
vocal score or piano-vocal score. A music score of a musical theater show or a vocal or choral composition where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano. voicing. The choice of, and order of notes in the playing of a chord, which creates a different sound.
Vocal learning is the ability to modify acoustic and syntactic sounds, acquire new sounds via imitation, and produce vocalizations. "Vocalizations" in this case refers only to sounds generated by the vocal organ (mammalian larynx or avian syrinx) as opposed to by the lips, teeth, and tongue, which require substantially less motor control. [1]
One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1] Additionally, they can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). [2]
Voice problems that require voice analysis most commonly originate from the vocal folds or the laryngeal musculature that controls them, since the folds are subject to collision forces with each vibratory cycle and to drying from the air being forced through the small gap between them, and the laryngeal musculature is intensely active during speech or singing and is subject to tiring.
The recording procedures for the scalp-recorded FFR are essentially the same as the ABR. A montage of three electrodes is typically utilized: An active electrode, located either at the top of the head or top of the forehead, a reference electrode, located on an earlobe, mastoid, or high vertebra, and a ground electrode, located either on the other earlobe or in the middle of the forehead.
When the soprano and alto are notated in one staff, all stems for the soprano go up, and all for the alto go down. Similarly, when the tenor and bass are notated in one staff, the upper voice is marked by stems up, and both voices are written in bass clef, while the tenor is usually written in treble clef marked an octave down if it has its own staff.