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The men were said to have dropped to their knees as the song began 'Last night I lay a-sleeping, There came a dream so fair.', the lyrics contrasting with their previous night's drunkenness. The song's conclusion resulted in the judge dismissing the men without punishment, each having learned a lesson from the song.
Spanish lyrics: Tierra bendita y divina es la de Palestina donde nació Jesús; Eres, de las naciones, cumbre bañada por la lumbre que derramó su luz. Coro Eres la historia inolvidable, Porque en tu seno se derramó La sangre, preciosa sangre, Del unigénito Hijo de Dios. Cuenta la historia del pasado que en tu seno sagrado vivió el Salvador,
Sancta Civitas (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. [1]
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Michael Maybrick (31 January 1841 – 26 August 1913) [1] was an English composer and singer, best known under his pseudonym Stephen Adams as the composer of "The Holy City", one of the most popular religious songs in English.
Personent hodie in the 1582 edition of Piae Cantiones, image combined from two pages of the source text. "Personent hodie" is a Christmas carol originally published in the 1582 Finnish song book Piae Cantiones, a volume of 74 Medieval songs with Latin texts collected by Jacobus Finno (Jaakko Suomalainen), a Swedish Lutheran cleric, and published by T.P. Rutha. [1]
His cantatas were widely performed on the music festival circuit, with the best known The Holy City – premiered at the Birmingham Music Festival in 1882 – being the most popular of its era. [5] At the time of Gaul's death in 1913 it was the most performed work of English choral music in history, [ 2 ] and by 1914 over 162,000 copies of its ...
While the Papal Anthem also serves as the national anthem of the Holy See and the Vatican City State, the Vatican stresses that it "is not to be understood as a national anthem"; it is a composition whose words and music "speak to the heart of many throughout the world who see in Rome the See of Peter."