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This led to tours of the UK and Europe and, in December that year, their debut album, Bostin' Steve Austin, was released (Geffen re-titled the album We've Got a Fuzzbox and We're Gonna Use It upon its US release). This album spawned the band's first Top 40 hit, "Love Is The Slug", and the minor hit "What's The Point".
Big Bang! is the second album by English alternative rock group Fuzzbox, released in 1989.It includes four singles which reached the UK Singles Chart: "International Rescue" (No. 11), "Pink Sunshine" (No. 14), "Self!"
The Maestro FZ-1 contained a three germanium transistor circuit with RCA 2N270 devices, powered by two 1.5-volt batteries, and a lead cable to connect it to an instrument (bass as it was originally intended, or guitar). Germanium devices are temperature sensitive, and the effect responds to the incoming signal's amplitude (volume) consistently.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.
An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...
A fuzzbox is a device for deliberately introducing distortion in music. Fuzzbox may also refer to: We've Got a Fuzzbox and We're Gonna Use It or Fuzzbox, a 1980s English pop-punk quartet "Fuzzbox", a song by Bomb the Bass, featuring vocals from Jon Spencer from their 2008 album Future Chaos; FuzzBox, a video-game developer that developed Cyber Org
Roger Mayer is an electrical engineer who developed several electric guitar effects, including the Octavia, a fuzz effects pedal which also doubled signal frequency, with a sound that was not attainable by simply connecting an octave pedal and a fuzz pedal together.
[8] The tape mechanism of a Roland RE-201 delay unit. Tape echoes became commercially available in the 1950s. [9] Tape echo machines contain loops of tape that pass over a record head and then a playback head. An echo machine is the early name for a sound processing device used with electronic instruments to repeat the sound and produce a ...