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"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
comping. A jazz term which describes a jazz rhythm section performer (usually a chordal instrument such as jazz guitar, jazz piano, Hammond organ, etc.) playing accompaniment chords. comping takes. Selecting or "cherry picking" the best performances from various audio tracks in order to 'bounce' or piece together one contiguous audio track.
a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4 ...
Italian term Literal translation Definition Alto: high: Second-highest vocal line Basso: low: Or "bass;" the lowest vocal line Basso profondo: deep low: A very deep bass voice Castrato: castrated: A male singer, castrated before puberty so as to be able to sing soprano (now sung by women, conventional countertenors, or sopranisti) Coloratura ...
In jazz, when one instrumentalist or singer is doing a solo, the other ensemble members play accompaniment parts. While fully written-out accompaniment parts are used in large jazz ensembles, such as big bands, in small groups (e.g., jazz quartet, piano trio, organ trio, etc.), the rhythm section members typically improvise their accompaniment parts, an activity called comping.
In popular music and traditional music, the accompaniment parts typically provide the "beat" for the music and outline the chord progression of the song or instrumental piece. The accompaniment for a vocal melody or instrumental solo can be played by a single musician playing an instrument such as piano, pipe organ, or guitar.
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
The word "vocalese" is a play on the musical term "vocalise"; the suffix "-ese" is meant to indicate a sort of language. The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, Sing a Song of Basie. [2] Most vocalese lyrics are entirely syllabic, as opposed to melismatic.