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Klông pút - Bamboo tube xylophone; hands are clapped near ends of tubes to produce musical tones; Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia ...
The first meaning is the lyrical and romantic music from pre-war, post-development in southern Vietnam in the period 1954s-1975s and later overseas as well as in the country after Đổi Mới, influenced by music of South Vietnam 1975s.
Media in category "Vietnamese musical instruments" This category contains only the following file. Ngoc Lu bronze drum.JPG 461 × 492; 68 KB
Huoxiang Zhengqi Shui (simplified Chinese: 藿香正气水; traditional Chinese: 藿香正氣水) is a liquid herbal formula used in Traditional Chinese medicine to "induce diaphoresis and clear away summer-heat, to resolve damp and regulate the function of the spleen and stomach". [1] It tastes bitter and pungent.
A man playing the đàn nguyệt in a performance in Paris. The đàn nguyệt shown here with two strings. Chánh Già's đàn kìm. The đàn nguyệt ( Vietnamese pronunciation: [ɗǎn ŋwiə̂ˀt] "moon-shaped lute", Chữ Nôm: 彈月) also called nguyệt cầm (Chữ Hán: 月琴), đàn kìm, is a two-stringed Vietnamese traditional musical instrument. [1]
The duxianqin is a Chinese plucked string instrument with only one string; it is derived from the Vietnamese đàn bầu. Chinese sources describe duxianqin as being an instrument of the Jing (also spelled Gin or Kinh) ethnic group, who are ethnic Vietnamese living in China. [1] It is still commonly played by this ethnic group.
The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable ...
The xiāo is a very ancient Chinese instrument usually thought to have developed from a simple end-blown flute used by the Qiang people of Southwest China in ancient period. In the oral traditions of the Xiao, practitioners and poets say its sound resembles the sweetness of the Phoenix 's call, the king of birds in Chinese belief.