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In the afterword for the 25th-anniversary publication of The House on Mango Street, Cisneros commented on the style she developed for writing it: "She experiments, creating a text that is as succinct and flexible as poetry, snapping sentences into fragments so that the reader pauses, making each sentence serve her and not the other way round ...
Parataxis. Parataxis (from Greek: παράταξις, "act of placing side by side"; from παρα, para "beside" + τάξις, táxis "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions. [1][2] It ...
Letters from Abroad, Translations and Fragments by Edward Moxon, London. " A Defence of Poetry " is an unfinished essay by Percy Bysshe Shelley written in February and March 1821 that the poet put aside and never completed. [1] The text was published posthumously in 1840 in Essays, Letters from Abroad, Translations and Fragments. [2]
Poetic devices. Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling.
Exquisite corpse. Exquisite corpse (from the original French term cadavre exquis, literally exquisite cadaver) is a method by which a collection of words or images is collectively assembled. Each collaborator adds to a composition in sequence, either by following a rule (e.g., "The adjective noun adverb verb the adjective noun."
Sappho 31 is an archaic Greek lyric poem by the ancient Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι) after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman.
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