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English minister and hymn writer Isaac Watts, who wrote hundreds of hymns and was instrumental in the widespread use of hymns in public worship in England, is credited with popularizing and formalizing these metres, which were based on English folk poems, particularly ballads. [1]
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The only metre more commonly used in Rigveda than Gāyatrī is the Tristubh metre. The structure of Gāyatrī and other Vedic metres is more flexible than post-Vedic metres. [22] One of the best known verses of Gāyatrī is the Gayatri Mantra, which is taken from book 3.62.10 (the last hymn of the 3rd book) of the Rigveda.
Trishtubh (Sanskrit: त्रिष्टुभ्, IPA: [tɽɪˈʂʈʊbʱ], IAST: Triṣṭubh) is a Vedic metre of 44 syllables (four padas of eleven syllables each), or any hymn composed in this metre. It is the most prevalent metre of the Rigveda, accounting for roughly 40% of its verses.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
The meter and acrostic would be given along with the canon's title. This structure is now generally lacking in more recently composed canons, especially when the canons are composed in languages other than Greek to some setting other than Byzantine chant , and since it is now expected that large portions of the canon will be read rather than sung.
The meter of the hymns is historically related to the Vedic tristubh-jagati family of meters. [5] Hymns of these meters are recited, not sung. The sequential order of the Gathas is structurally interrupted by the Yasna Haptanghaiti ("seven-chapter Yasna ", chapters 35–41, linguistically as old as the Gathas but in prose) and by two other ...