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Officers and Soldiers of the French Army 1918: 1915 to Victory. Paris: Histoire & Collections, 2008. Lloyd, Craig. Eugene Bullard: Black Expatriate in Jazz Age Paris. Athens, Georgia: University of Georgia Press, 2000. ISBN 0-8203-2192-3; Mason, Herbert Molloy Jr. High Flew the Falcons: The French Aces of World War I. New York: J.B. Lippincott ...
Many American jazz artists have lived in France from Sidney Bechet to Archie Shepp. These Americans would have an influence on French jazz, but at the same time French jazz had its own inspirations as well. For example, Bal-musette had some influence on France's form of Gypsy jazz. Similarly, the violin, and to an extent the guitar, were ...
The Courage Corporate: Adelaide Songs of World War One. Oakland Park, S. Aust: Pioneer Books in association with Academy Enterprises and Hermit Press, 1983. ISBN 0-908065-28-0 OCLC 19093270; Holden, Robert. And the Band Played On: How Music Lifted the Anzac Spirit in the Battlefields of the First World War. Richmond, Victoria: Hardie Grant ...
The 369th was largely treated similarly to other French units at the time. The regiment was not segregated from other French units, and generally faced little racial discrimination. Prior to the 369th's integration, the French army had included many colonial units with non-white personnel, many from Morocco and Senegal. Having also faced severe ...
Jazz was officially banned in Germany as "decadent", and American records were banned after but remained highly popular in occupied Paris. Charles Delaunay organized a jazz festival in Paris in December 1940, and two concerts month were given at the Gaveau, and continued through 1944. Delaunay's band, called Jazz de Paris, gave a concert at the ...
There are also many instrumental versions, for example for piano, violin, string ensemble, jazz band and numerous different types of orchestra. [18] After the Second World War, the American jazz artist Sidney Bechet, a long-time resident in France, popularised a Swing version, and it was also recorded by the French popular singer Yves Montand. [18]
James Reese Europe (February 22, 1880 [1] – May 9, 1919) was an American ragtime and early jazz bandleader, arranger, and composer.He was the leading figure on the African-American music scene of New York City in the 1910s.
Django pursued modern jazz until his death in 1953, while Grappelli played and recorded mainstream swing music throughout the 1950s and 1960s when he was active on the music scene. Throughout the 1950s and 1960s, a handful of European guitarists continued to play acoustic jazz guitar in the style of Django Reinhardt, largely ignored by the jazz ...