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Writing in Freeman's Journal J. M. Cusack welcomed the collection and commented: "The 'Boree,' the author tells us is one of the best fire woods in Australia. So he gathers us in an old bush home on a cold, wet night, pokes up the boree fire, and lets 'the doves of fancy loose to bill and coo again.'
"Bread and Roses" is a political slogan as well as the name of an associated poem and song. It originated in a speech given by American women's suffrage activist Helen Todd; a line in that speech about "bread for all, and roses too" [1] inspired the title of the poem Bread and Roses by James Oppenheim. [2]
A country house poem is a poem in which the author compliments a wealthy patron or a friend through a description of his country house. Such poems were popular in early 17th-century England. The genre may be seen as a sub-set of the topographical poem.
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
“The country needs and, unless I mistake its temper, the country demands bold, persistent experimentation. It is common sense to take a method and try it. If it fails, admit it frankly and try ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
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"The Hangman" is a poem written by Maurice Ogden in 1951 and first published in 1954. [1] The poem was originally published under the title "Ballad of the Hangman" in Masses and Mainstream magazine under the pseudonym "Jack Denoya", before later being "[r]evised and retitled".