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Avid DNxHR, which stands for "Digital Nonlinear Extensible High Resolution", is a lossy UHDTV post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. The codec was specifically developed for resolutions considered above FHD/1080p, including 2K, 4K and 8K resolution.
Uncompressed video is digital video that either has never been compressed or was generated by decompressing previously compressed digital video. It is commonly used by video cameras, video monitors, video recording devices (including general-purpose computers), and in video processors that perform functions such as image resizing, image rotation, deinterlacing, and text and graphics overlay.
The Sony PMW-F55 can record XAVC with 4K resolution at 30 fps at 300 Mbit/s and 2K resolution at 30 fps at 100 Mbit/s. [42] XAVC can record 4K resolution at 60 fps with 4:2:2 chroma sampling at 600 Mbit/s. [43] [44]
XAVC can record 4K resolution at 60 fps with 4:2:2 chroma subsampling at 600 Mbit/s. [11] [12] A 128 Gigabyte SxS PRO+ media card can record up to 20 minutes of 4K resolution XAVC video at 60 fps, up to 40 minutes of 4K resolution XAVC video at 30 fps, and up to 120 minutes of 2K resolution XAVC video at 30 fps. [9] [10] [11] [12]
On September 5, 2014, the Blu-ray Disc Association announced that the 4K Blu-ray Disc specification would support HEVC-encoded 4K video at 60 fps, the Rec. 2020 color space, high dynamic range (PQ and HLG), and 10-bit color depth. [87] [88] 4K Blu-ray Discs have a data rate of at least 50 Mbit/s and disc capacity up to 100 GB.
VISENGI launched on mid-2014 the highest throughput H.264 hardware encoder IP core, at 5.3 pixels encoded per clock cycle, allowing 4K UltraHD at 60fps on most low-cost FPGAs, and 8K UHDTV on mid-level ones. It features two versions: a High 4:4:4 Predictive Profile capable encoder and a CAVLC 4:4:4 Intra Profile one.
The resolution 3840 × 2160, sometimes referred to as 4K UHD or 4K × 2K, has a 16:9 aspect ratio and 8,294,400 pixels. It is double the size of Full HD ( 1920 × 1080 ) in both dimensions for a total of four times as many pixels, and triple the size of HD ( 1280 × 720 ) in both dimensions for a total of nine times as many pixels.
Video bandwidth requirements are growing continuously, as video resolutions, frame rates, bit depths, and the amount of video streams are constantly increasing. Likewise, the capacities of video links and communication channels are also growing, yet at a slower pace than what is needed to address the huge video bandwidth growth.