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Turning Japanese. " Turning Japanese " is a song by English band the Vapors, from their 1980 album New Clear Days. It was an international hit, becoming the band's most well-known song. The song prominently features the Oriental riff played on guitar.
The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
Wind Color Vector, Op. 48 is a series of three small pieces for solo classical guitar, composed by Takashi Yoshimatsu in 1991. It was written as a subset of pieces from a set of three pieces that the composer wrote for classical guitarist Kazuhito Yamashita [8] entitled Wind, Water, Sky and bearing the titles Wind Color Vector, Water Color ...
Just Ignore the Lyrics Ah, the 1980s, a decade known for its catchy tunes, very large shoulder pads, and poorly-aged lyrics. It's one thing to put on your legwarmers and play music from that ...
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica.
Standard tuning (listen) Guitar tunings are the assignment of pitches to the open strings of guitars, including classical guitars, acoustic guitars, and electric guitars. Tunings are described by the particular pitches that are made by notes in Western music. By convention, the notes are ordered and arranged from the lowest-pitched string (i.e ...
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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...