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Nawang Khechog (Tibetan: ངག་དབང་མཁས་མཆོག་, Wylie: Nga-dbang Mkhas-mchog; also known as Nawang Khechong) is a Tibetan flute player and composer. Nawang was born in Tibet , but following the Chinese invasion of 1949/1950, his family moved to India , where Nawang studied meditation and Buddhist philosophy.
The dramyin or dranyen (Tibetan: སྒྲ་སྙན་, Wylie: sgra-snyan; Dzongkha: dramnyen; Chinese: 扎木聂; pinyin: zhamunie) [1] is a traditional Himalayan folk music lute with six strings, used primarily as an accompaniment to singing in the Drukpa Buddhist culture and society in Bhutan, as well as in Tibet, Ladakh, Sikkim and Himalayan West Bengal.
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
Struck bowls are used in some Buddhist religious practices to accompany periods of meditation and chanting. Struck and singing bowls are widely used for music making, meditation and relaxation, as well for personal spirituality. They have become popular with music therapists, sound healers and yoga practitioners. Standing bells originated in China.
The Bön shaman's drum on a pole became part of Tibetan Buddhist ritual music ensembles. Also, the shang – a kind of bell-cymbal – became incorporated into Buddhist rituals. It was formerly only used by shamans to clear away negative energy before shamanic rituals.
Alexandra David-Neel in 1933 Tibet with a Kangling instrument at her waist. Kangling (Tibetan: རྐང་གླིང་།, Wylie: rkang-gling), literally translated as "leg" (kang) "flute" (ling), is the Tibetan name for a trumpet or horn made out of a human tibia [1] or femur, used in Tibetan Buddhism for various chöd rituals as well as funerals performed by a chöpa.
Meditation music is music performed to aid in the practice of meditation.It can have a specific religious content, but also more recently has been associated with modern composers who use meditation techniques in their process of composition, or who compose such music with no particular religious group as a focus.
Buddhist music retains a prominent place in many Buddhist traditions, and is usually used for ceremonial and devotional purposes. [5] Buddhist music and chanting is often part of Buddhist rituals and festivals in which they may be seen as offerings to the Buddha. [6] Most Buddhist music includes chanting or singing, accompanied by instruments.