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The image of the Divine Mercy is a depiction of Jesus Christ that is based on the Divine Mercy devotion initiated by Faustina Kowalska. According to Kowalska's diary, Jesus told her "I promise that the soul that will venerate this image will not perish .
The Divine Mercy is a Catholic devotion to the mercy of God associated with the reported apparitions of Jesus to Faustina Kowalska. [1]The Divine Mercy devotion is composed of several practices such as the Divine Mercy Sunday, the Chaplet of the Divine Mercy or the Divine Mercy image, which Kowalska describes in her diary as "God's loving mercy" towards all people, especially for sinners.
That same year, he also consecrated the world to Jesus of Divine Mercy at the Divine Mercy Sanctuary in Kraków. [53] He died in April 2005, on the eve of Divine Mercy Sunday, and was himself beatified by his successor, Pope Benedict XVI , on Divine Mercy Sunday, 1 May 2011, and was canonized by Pope Francis on Divine Mercy Sunday, 27 April 2014.
Eugeniusz Marcin Kazimirowski (11 November 1873 – 23 September 1939 in Białystok) was a Polish painter, and member of the realism movement.He is best known for the first depiction of the Divine Mercy image in 1934, based on a request from Faustyna Kowalska and her confessor Michael Sopoćko.
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The Virgin of Mercy is a subject in Christian art, showing a group of people sheltering for protection under the outspread cloak, or pallium, of the Virgin Mary.It was especially popular in Italy from the 13th to 16th centuries, often as a specialised form of votive portrait; it is also found in other countries and later art, especially Spain and Latin America.
The Ecce Homo (Latin: "Behold the Man") in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art. [1]
Dives in misericordia (Latin: Rich in Mercy) is the name of the second encyclical written by Pope John Paul II. [1] It is a modern examination of the role of mercy—both God's mercy, and also the need for human mercy—introducing the biblical parable of the Prodigal Son as a central theme.