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Best-selling albums of all-time in Indonesia These are the top 15 best-selling albums in Indonesia by Indonesian artists, according to physical sales. Rank Year Artist Album Sales Sources 1 1990 Nike Ardilla Bintang Kehidupan 6,000,000 2 1995 Nike Ardilla Sandiwara Cinta 5,000,000 3 2011 Rossa The Best of Rossa 5,000,000 4 2004 Peterpan Bintang di Surga 3,200,000 5 2012 Noah Seperti Seharusnya ...
Image credits: Photoglob Zürich As evident from Niépce's and Maxwell's experiments, and as photographic process historian Mark Osterman told Bored Panda, the processes behind colored photographs ...
The Seven Wonders of the Ancient World (from left to right, top to bottom): Great Pyramid of Giza, Hanging Gardens of Babylon, Temple of Artemis at Ephesus, Statue of Zeus at Olympia, Mausoleum at Halicarnassus (also known as the Mausoleum of Mausolus), Colossus of Rhodes, and the Lighthouse of Alexandria as depicted by 16th-century Dutch artist Maarten van Heemskerck.
Seven Samurai (1954) topped the BBC poll of best foreign-language films as well as several Japanese polls.. Battleship Potemkin (1925) was ranked number 1 with 32 votes when the Festival Mondial du Film et des Beaux-Arts de Belgique asked 63 film professionals around the world, mostly directors, to vote for the best films of the half-century in 1951. [3]
The book consists of 100 entries as well as an appendix of Honorable Mentions. Each entry is a short biography of the person, followed by Hart's thoughts on how this person was influential and changed the course of human history.
Cover of the oversize companion book to the 2020 list. "The 500 Greatest Albums of All Time" is a recurring opinion survey and music ranking of the finest albums in history, compiled by the American magazine Rolling Stone.
Raden Nike Ratnadilla was born on 27 December 1975 in Bandung, West Java, the youngest child of three siblings of Raden Edi Kusnadi (1940-1997) and Nining Ningsihrat (1937-2022).
For this poll, Sight & Sound listened to decades of criticism about the lack of diversity of its poll participants and made a huge effort to invite a much wider variety of critics and filmmakers from around the world to participate, taking into account gender, ethnicity, race, geographical region, socioeconomic status, and other kinds of underrepresentation.