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The song was a hit single for Grant, reaching the top ten of the Christian radio chart. [1] "El Shaddai" won "Song of the Year" and Card won "Songwriter of the Year" at the 1983 GMA Dove Awards. [3] It was also named one of the "Songs of the Century" by the RIAA in 2001. [4]
The final title "El Shaddai", which is commonly translated as "God Almighty", was suggested by UK Ignition staff as a reference to the religious subject matter. [11] [33] The subtitle, also proposed by Ignition staff, had no definite meaning. [11] Takeyasu created the overall story, while the script was written by Yasushi Ohtake.
El Shaddai is a Judaic name for God. El Shaddai may also refer to: Shaddai (disambiguation), a Semitic Bronze Age city and the deity worshipped there; El Shaddai (movement), a Catholic Charismatic Renewal movement; El Shaddai International Christian Centre, a group of churches "El Shaddai" (song), a Contemporary Christian song
El Shaddai is conventionally translated into English as God Almighty. (Deus Omnipotens in Latin, Arabic: إله الشديد, romanized: ʾIlāh Ash-Shadīd) El means "God" in the Ugaritic and the Canaanite languages. The literal meaning of Shaddai, however, is the subject of debate. [1]
Sawaki Takeyasu (竹安 佐和記, Takeyasu Sawaki) (born August 30, 1973) is a Japanese video game artist, producer and director.Currently the head of his own development studio Crim, Takeyasu previously worked at Capcom and their subsidiary Clover Studio before becoming a freelance artist following Clover's dissolution in 2007.
Michael Card (born April 11, 1957) is an American Christian singer-songwriter, musician, author, and radio host from Franklin, Tennessee.He is best known for his contributions in contemporary Christian music, which combine folk-style melodies and instrumentation with an in-depth study of the Bible.
In El Shaddai: Ascension of the Metatron, many members of the Grigori are shown throughout the game as the main antagonists. To name a few: Azazel, Armaros, Arakiel, Baraqiel, and Semyaza. In the English localization of the first Drakengard game, the overarching antagonists are
Overall: GA finalised on the day it was submitted, so AOK there, and far more than long enough, a very comprehensive work-up on the topic. Lots of referencing, fine citation in general, as you'd expect from a piece that made it through GA review in quick time - BUT the two paragraphs, added in response to a GA review point, of Synopsis, are uncited - I'm sure this can be quickly fixed.