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Metropole XXI in Menteng, Central Jakarta. PT Nusantara Sejahtera Raya Tbk doing business as Cinema 21 or 21 Cineplex is the largest cinema chain in Indonesia, serving 65 cities in the country.
Satan's Slaves (Indonesian: Pengabdi Setan) is a 2017 Indonesian supernatural horror film written and directed by Joko Anwar.It is a loose remake-prequel to the 1980 film of the same name directed by Sisworo Gautama Putra based on a story by Subagio S. [5] The plot follows a family who are haunted by the death of their mother, who dies after being bedridden for three years from a strange and ...
Miracle in Cell No. 7 is a 2022 Indonesian family comedy film directed by Hanung Bramantyo [1] [2] based on 2013 South Korean film with the same name directed by Lee Hwan-kyung.
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
Bioskop Online [17] 14 Cinta Warung Sebelah: Ahmad Nurdin Ibnu Jamil, Ririn Ekawati, Cemen, Lulu Zakaria, Yusuf Özkan Drama, Komedi Maxstream Original, Arkana Films, Sabi Kreasi, PT. Redi Aliansi Jaya Maxstream [18] 17 Pelangi Tanpa Warna: Indra Gunawan Rano Karno, Maudy Koesnaedi, Zayyan Sakha, Ratna Riantiarno Drama Falcon Pictures 11.521 ...
Innocent Vengeance (Indonesian: Berbalas Kejam) is a 2023 thriller film written and directed by Teddy Soeriaatmadja.It stars Reza Rahadian as Adam, an architect who plans to seek revenge for the murder of his family, alongside Laura Basuki, Baim Wong, Yoga Pratama, and Kiki Narendra.
Vengeance Is Mine, All Others Pay Cash (Indonesian: Seperti Dendam, Rindu Harus Dibayar Tuntas) is a 2021 Indonesian action black comedy-drama film directed by Edwin who also co-wrote the screenplay with Eka Kurniawan based on Kurniawan's best-selling book of the same name. [2]
In his article highlighting the best movies of 2021, Richard Brody of The New Yorker said, "From an artistic perspective, 2021 has been an excellent cinematic vintage, yet the bounty is shadowed by an air of doom.