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The Holy Spirit as a dove in the Annunciation by Rubens, 1628. The Holy Spirit has been represented in Christian art both in the Eastern and Western Churches using a variety of depictions. [1] [2] [3] The depictions have ranged from nearly identical figures that represent the three persons of the Holy Trinity from a dove to a flame. [4]
In Christian Iconography, a dove also symbolizes the Holy Spirit, in reference to Matthew 3:16 and Luke 3:22 where the Holy Spirit is compared to a dove at the Baptism of Jesus. [19] [20] The early Christians in Rome incorporated into their funerary art the image of a dove carrying an olive branch, often accompanied by the word "Peace".
Baroque Trinity, Hendrick van Balen, 1620, (Sint-Jacobskerk, Antwerp) Holy Trinity, fresco by Luca Rossetti da Orta, 1738–39 (St. Gaudenzio Church at Ivrea). The Trinity is most commonly seen in Christian art with the Holy Spirit represented by a dove, as specified in the gospel accounts of the baptism of Christ; he is nearly always shown with wings outspread.
The dove imagery in this passage, and in the corresponding verse in Luke, is a well known one. Based on this verse the dove has long been a symbol for the Holy Spirit in Christian art. France notes that the wording in Matthew is vague, the Spirit could be descending in the shape of a dove or it could be descending in the manner of the dove.
The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim. The dove is the Holy Spirit, and the four animals that St. John saw in Heaven [3] are used as personifications of the Four Evangelists.
The painting shows God the Father supporting his son, Jesus, with the Holy Spirit above them, represented by a dove; the Trinity is joined by the weeping figures of the Virgin Mary and St. John. [1] The inclusion of God supporting his crucified son within the picture was popular during the late fourteenth and early fifteenth centuries, but is ...
Occasionally other figures have crossed haloes, such as the seven doves representing the Seven gifts of the Holy Spirit in the 11th century Codex Vyssegradensis Tree of Jesse (where Jesse and Isaiah also have plain haloes, as do the Ancestors of Christ in other miniatures). [31]
Gabriel is dressed in ecclesiastical robes, while a dove hovers above Mary, representing the Holy Spirit. It expands upon the Annunciation wing of Rogier van der Weyden's Saint Columba Altarpiece of c. 1455. According to the art historian Maryan Ainsworth, the work is a "startlingly original image, rich in connotations for the viewer or worshiper".