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During development for the residency, the four artists decided to make a single work together, naming themselves Mataaho Collective. Their first work, Te Whare Pora, was inspired by customary weaving spaces as sites of wānanga for sharing and learning reigned over by the atua wahine Hineteiwaiwa. They treated the residency like a contemporary ...
Tangotango, a celestial woman who fell in love with the great hero Tāwhaki and came to earth to become his wife. Tūāwhiorangi, the wife of Kahukura who manifests as the lower bow during a double rainbow. Whaitiri, the personification of thunder.
Te Awekotuku has researched and written extensively on the traditional and contemporary practices of tā moko (tattoo) in New Zealand. Her 2007 (re-published in 2011) book Mau Moko: the world of Maori tattoo, co-authored with Linda Waimarie Nikora, was the product of a five-year long research project conducted by the Māori and Psychology Research Unit at the University of Waikato, funded by a ...
Manukura Wahine/Manukura Tāne or Kaitataki Wahine/Kaitataki Tāne Female and male leaders where both show their roles from on and off the stage. These include; karanga (the calling), mihimihi (speeches), how the leaders present themselves within their groups in terms of leadership and how they carry themselves for the group.
Rongomai-wahine woke up, blamed the smell on Tama-taku-tai and left him. [6] The next day, Kahungunu found Tama-taku-tai at the beach, practicing whakaheke ngaru (riding the breaking waves in his canoe, somewhat like surfing). He convinced Tama-taku-tai to let him join him in the canoe and intentionally capsized the boat, drowning Tama-taku-tai ...
Te Waru-Rewiri is one of the few women who have led a wharenui (Māori meeting house) project with Te Puna o Te Matauranga (The Spring of Knowledge) on NorthTec's Raumanga campus that opened in 2015. It is a contemporary marae and the wharenui features artworks by Te Waru-Rewiri, Lorraine King, Michael Rewiri-Thorsen, Te Warihi Hetaraka, James ...
"The Love Boat" continues its legacy of love with inclusive vow renewals and exciting new ideas to keep cruising as romantic and relevant as ever.
Diplomacy and rituals of exchange between Māori tribes were often arranged according to the concept of mana wahine, the prestige and political power held by a woman or the women of a tribe. Today, numerous Māori iwi and hapū descended from such women insist on identifying themselves as being "the people of" that particular female ancestor.