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The Lion in the 1870s. The Lion seen from ground level in 2017. The Lion seen from the Doge's Palace.. The Lion of Venice is an ancient bronze sculpture of a winged lion in the Piazza San Marco of Venice, Italy, which came to symbolize the city—as well as one of its patron saints, St Mark—after its arrival there in the 12th century.
The Lion of Saint Mark, representing Mark the Evangelist, pictured in the form of a winged lion, is an aspect of the Tetramorph. On the pinnacle of St Mark's Cathedral he is depicted as holding a Bible , and surmounting a golden lion which is the symbol of the city of Venice and formerly of the Venetian Republic .
The emblems of the winged lions were featured in different countries: The emblem of the Republic of Venice as the heraldic symbol of St. Mark the Evangelist, the patron saint of the Republic. The Lion of Venice is an ancient bronze sculpture of a winged lion that is located in the Piazzetta di San Marco, Venice
Below this level is the winged Lion of Saint Mark with the open book, before a blue background with gold stars. There was originally a statue of the Doge Agostino Barbarigo (Doge 1486–1501) kneeling before the lion, but in 1797, after the city had surrendered to Napoleon , it was removed by the French, who were purging the city of all symbols ...
Ancient Greek lion statue at the Arsenal, Venice. The Piraeus Lion (Italian: Leone del Pireo) is one of four lion statues on display at the Venetian Arsenal, Italy, where it was displayed as a symbol of Venice's patron saint, Saint Mark. The statue is made of white marble and stands some 3 m (9 ft.) high.
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As pundits made their Golden Lion predictions in the last days of the Venice Film Festival, the general consensus was that it all depended on what kind of mood Damien Chazelle’s competition jury ...
The Column of San Teodoro is topped by a statue of Theodore Tiron, who was the patron saint of Venice before he was succeeded by Saint Mark. Both columns were likely erected either between 1172 and 1177 (during the reign of Doge Sebastiano Ziani ) by Nicolò Barattieri , [ 1 ] [ 2 ] or sometime around 1268.