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Still of the Night is a 1982 American neo-noir [1] psychological thriller film directed by Robert Benton and starring Roy Scheider, Meryl Streep, Joe Grifasi, and Jessica Tandy. It was written by Benton and David Newman. Scheider plays a psychiatrist who falls in love with a woman (Streep) who may be the psychopathic killer of one of his patients.
"In the Still of the Night" was also recorded by The Beach Boys on their 1976 album 15 Big Ones. Lead vocals were by drummer Dennis Wilson. Songwriters Mike Reid and Troy Seals incorporated the song in the 1985 song "Lost in the Fifties Tonight (In the Still of the Night)", performed by Ronnie Milsap. Milsap's song was a number one country hit ...
"In the Still of the Night" is a popular song written by Cole Porter for the MGM film Rosalie sung by Nelson Eddy and published in 1937. Two popular early recordings were by Tommy Dorsey (vocal by Jack Leonard) and by Leo Reisman (vocal by Lee Sullivan). Dorsey's charted on October 16, 1937 and peaked at No. 3.
John Sykes, a veteran hard-rock guitarist who was a member of Whitesnake, Thin Lizzy and the Tygers of Pan Tang, has died, according to a post on his official Facebook page. He had battled cancer ...
6. Crazy, Stupid, Love (2011). Cast: Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone Rating: PG-13 Directors: Glenn Ficarra and John Requa Run time: 118 minutes Carell is Cal Weaver, a ...
Inherently, any twist ending is a violation of our tacit agreement with a movie — we thought the film was playing straight with us, and then at the last moment, we discover we’ve been duped.
Still of the Night or In the Still of the Night may refer to: In the Still of the Night, a Czech film; Still of the Night, 1982 psychological thriller film, directed by Robert Benton "Still of the Night" (song), 1987, by Whitesnake "Still of the Night", a song by Quiet Riot from QR III
"Still of the Night" is a song by English rock band Whitesnake from their seventh studio album, 1987. It was released on 9 March 1987, by EMI Records and Geffen Records as the album's debut single. The single peaked at number sixteen on the UK Singles Chart , number seventy-nine on the US Billboard Hot 100 and number eighteen on the Mainstream ...