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[1] [2] Despite mixed critical reception during his lifetime, Franco's work has gained a dedicated cult following, and he is regarded as a significant figure in the history of exploitation cinema. [ 1 ] [ 2 ] In 2009, he received an Honorary Goya Award from the Academy of Cinematographic Arts and Sciences of Spain for his contributions to ...
Jesús Franco (1930–2013) was a Spanish filmmaker. At a young age, Franco had a passion for comics and music, and followed his love of music, specifically jazz. [1] After his father found out about him working as a jazz musician, he enroled him a religious university in 1949.
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The Awful Dr. Orloff was the first horror film directed by cult filmmaker Franco, and the first of many subsequent collaborations with Howard Vernon. Franco would reuse the Orloff and Morpho characters in many of his later horror films, such as Vampyros Lesbos, Revenge in the House of Usher, and Faceless.
El destierro del Cid (transl. The Exile of the Cid), a documentary short was set to be made as part of 12-part series.While Franco said the series was to be made for RKO Radio, film historians Roberto Curti and Roberto Cesari suggested this was a lie on Franco's part as means of self-promotion. [8]
It was the first film Franco made with Trino Martinez Trives, who initially worked as a stage director and later acted in Franco's films from the 1980s. [6] It was the second and last film he would work with screenwriters and critics from Film Ideal , screenwriters Juan Cobos and Gonzalo Sebastian de Erice.
99 Women was released in San Francisco on March 5, 1969 with a runtime of 84 minutes. This was followed by screenings in West Germany on March 14, 1969 as Der heiße Tod (transl. Hot Death) at 108 minutes, Madrid on June 16, 1969 as 99 mujeres at 78 minutes and then Rome on July 18, 1969 as 99 donne at 108 minutes.
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