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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The Draw-a-Person test is a projective and cognitive test developed by Florence Goodenough in 1926. It is used to evaluate children's intelligence and emotional problems, but has low validity and reliability.
A tadpole person [1] [2] [3] or headfooter [4] [5] is a simplistic representation of a human being as a figure without a torso, with arms and legs attached to the head. Tadpole people appear in young children's drawings before they learn to draw torsos and move on to more realistic depictions such as stick figures.
Learn about the study of body proportions in art, the measurements and ratios used to depict the human figure, and the variations across time and culture. Explore the artistic canons of body proportion, the golden ratio, and the examples from ancient and modern art.
Gesture drawing is a sketching technique that captures the action, form and pose of a model or a scene in a short time. Learn how gesture drawing is used for training, studying and expressing the human figure in motion, and see some examples of gesture drawings.
The Vitruvian Man is a drawing by Leonardo da Vinci inspired by the writings of the ancient Roman architect Vitruvius. It depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square, representing ideal body proportions.
Andrew Loomis (1892-1959) was an American illustrator, writer, and art instructor who created the Loomis method for drawing the human head. Learn about his life, career, books, and influence on popular artists.
Another example of a bistable figure Rubin included in his Danish-language, two-volume book was the Maltese cross. A 3D model of a Rubin vase Rubin presented in his doctoral thesis (1915) a detailed description of the visual figure-ground relationship, an outgrowth of the visual perception and memory work in the laboratory of his mentor, Georg ...